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Anna Mossman images | cv | exhibition |
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Born 1963 Lives and works in London Education |
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| 1981 - 85 | Camberwell School of Art, London, (BA) | |
| 1986 - 88 | Goldsmiths College, University of London, (MA) | |
Solo Exhibitions |
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| 2007 | One in the Other, London | |
| 1999 | One in the Other, Tenter Ground, London | |
| 1996 | Lisson Gallery, London | |
Group Exhibitions |
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| 2003 | addiction, 15, Micawber St, London | |
| 2000 | A Shot in the Head, Lisson Gallery, London Eat Fuck Die, Platform, London |
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| 1999 | Wonderworlds, Konstakuten, Stockholm Manufacturers, Childer Street, London |
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| 1998 | Internality Externality, Galerie Lelong, New York Filtre, Galerie Almine Rech, Paris, France What is a Photograph? Five Years, London Out of Frame, Hamiltons, London From Within, Juliet, Trieste, Italy Host, Tramway, Glasgow, Scotland The Road, Espace Cultuel Francois Mitterand, Beauvais, France Near, Sharjah Whitechapel Open, London |
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| 1997 | Urbane Legenden, Kunsthalle, Baden-Baden, Germany Shot Reverse-Shot, Walter Phillips Gallery, Banff, Alberta, Canada Performance Festival Odense 1997, Denmark The Big Blue, Coins, Talbot Road, London Boredom, CD Rom produced by Cambridge Darkroom Words and Pictures, issue 9 |
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| 1996 | Video Myths, Bank T.V., London, Manchester, Glasgow Close Very Very Close, Thinking Alien, Leeds University Between Patients, Swan Yard, London N1 |
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| 1995 | Ideal Standard Summertime, Lisson Gallery, London. Postscript, Lisson Gallery, London I Confess, Nikolaj Contemporary Art Center, Copenhagen, Denmark Glass Shelf Show, ICA, London 50X50X50X50, F.R. - E.S.P., London Cocaine Orgasm, BankSpace, Curtain Road, London FotoMassen, Gothenburg, Sweden |
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| 1994 | Dirty Holes, Modern Art, Columbia Rd, London Whitechapel Open, London |
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| 1993 | Western Exposure, Riverside Studios, London | |
| 1992 | Hit and Run, Tufton St, London Simple Twist of Fate, Riverside Studios, London |
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| 1990 | Post Morality, Kettles Yard, Cambridge Rome Scholars 1980-1990, Royal College of Art, London |
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| 1989 | John Moores 16 Liverpool Exhibition, Walker Art Gallery, Liverpool Mostra 1989, British School at Rome, Italy |
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Awards |
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| 1988 | Rome Award, The British School at Rome | |
Teaching |
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| 1995 - | AL Camberwell College of Art, BA Photography Visiting teaching: Slade School of Art, Byam Shaw School of Art University of Central England, Birmingham, Bristol, Canterbury |
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| 1989 - 1991 | Course Co-ordinator, B.Ed Fine Art, Goldsmiths College, London | |
Bibliography |
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| 2002 | Photography Transformed, The Metropolitan Bank and Trust Collection | |
| 1999 | Mark Currah, Anna Mossman, Time Out, No. 1494 Paolo Cecchetto, Marina Wallace, From Within, Jullet, Trieste, Italy, catalogue |
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| 1998 | Elisabeth Mahoney, Host, Contemporary Visual Arts, issue 19 Sarah Kent, What is a Photograph? Time Out, No. 1458 Hero Brown, The Chosen Few, party on, Independent on Sunday, 5.7.98 |
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| 1997 | Dr. Jochen Poetter, Reports on the Adventures of Photo Genesis, catalogue essay for Urbane Legenden - London, Kunsthalle, Baden, Baden, Germany Performance Festival Odense 1997, catalogue |
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| 1996 | Paolo Cecchetto, Anna Mossman, Juliet, No.78, summer, Trieste, Italy Between Patients, publication to accompany exhibition, London |
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| 1995 | Simon Sheikh, Self/ Non-Self - Subjectivity Beyond the Open Canvas:I Confess Catalogue, Nikolaj Contemporary Art Center, Copenhagen, Denmark | |
| 1994 | David Lillington, Real Life in London, Paletten, no.219, Sweden Tania Guha, Dirty Holes, Time Out, March 9-16 |
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| 1991 | Ian Gale, Modern Icons, The Independent, 19.2 | |
| 1989 | Sarah Kent, Back for Moores, 20/20, London, November | |